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Tuesday, December 8, 2020

Play the Very Fashionable Balenciaga Video Game Here

Balenciaga shared its fall 2021 collection with the public this week in a rather unexpected form: a video game. Afterworld: The Age of Tomorrow is an adventure set in the year 2031. Characters navigate through different scenarios while wearing replicas of the brand’s fall 2021 collection.

Does this sound very dystopian? Yes. Does the environment in the game appear, at first, to be decayed? Also yes. But the Balenciaga video game is designed to show the slow return to a better balance of nature and industry; it reinforces the brand’s utilitarian vision for the collection, where each item is multi-purpose and part of the circular economy.

“In the future, a garment that appears to serve one function may serve another, seeing as certain materials will be reinterpreted for new uses,” reads the show notes. “A satin trench is not a coat but a party dress. Jeans layered over pants and sweats showing a boxer short waistband are actually each a single item. As animal fur is no longer appropriate for people to buy new, a puffer is embroidered with recycled fabric that was laser cut to mimic the movement of a fur jacket.”

 

Play the Balenciaga video game and/or see the entire fall 2021 collection in the gallery below.

The post Play the Very Fashionable Balenciaga Video Game Here appeared first on FASHION Magazine.



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Here’s How New York Artist Sarah Coleman Reimagined Fendi’s Iconic Logo

When Sarah Coleman, a visual artist based in New York, was asked to redesign the Fendi store in Miami, the only instruction she received was: “be disruptive.” She ran with it, printing archival brand imagery onto vintage magazine paper to collage a chair, designing a glow-in-the-dark handbag, and manipulating Fendi’s iconic prints by running them through the Facetune editing app.

“I always see objects as very transformative in use; I don’t always use [them] the way that one is supposed to,” Coleman tells FASHION. “I like the idea of having a purse that can be used as a pillow if you need. If you get rid of the boxes and meanings society has placed so rigidly upon objects, anything can be repurposed into anything. Some people are afraid of being laughed at for using an object in a way that is considered wrong, but I prefer to embrace the laughter and forget about the word “wrong.””

The artist has already made a name for herself by bringing together the worlds of art and luxury fashion, reupholstering chairs using Lous Vuitton luggage and even covering tiny lighters with leather cut from vintage designer bags. When it came time for Fendi’s Miami store to get a new look ahead of Design Miami, the annual international design fair, the brand reached out to Coleman for her nostalgic and playful style. She not only gave the boutique a makeover, but also designed three limited-edition styles of Fendi’s iconic Peekaboo bag, which are now available for purchase exclusively at the Miami Design District boutique.

We caught up with Sarah Coleman to learn more about the collaboration, her love for repurposing objects, and the design makeover of the Fendi store in Miami.

sarah coleman artist fendi
image courtesy fendi

Tell us about your artistic style and how it influenced this collaboration.
I feel a deep connection with everyday objects. They become everyday for a reason, because something about their design makes them basically perfect–even if they seem simple… My work has evolved in so many ways, but I went back to methods I’d used in the past that I had forgotten. I pulled out many of my past materials, like clay, linoleum carving, beadwork, print transferring. It was such a nice feeling to be free to experiment and draw upon my own artistic history to create something that felt new. This was a unique opportunity for me to go from physical repurposing of materials to a conceptual repurposing of history. It has been very inspiring to me and I know this feeling will continue to motivate my work.

There’s a distinctly retro, 1970s vibe to this collaboration. What draws you to that era?
The freedom of the ’70s inspires me very powerfully. The fashion is incredible as well–I think the ’70s are the greatest fashion era of the 20th century and will be hard to ever top. The music, the movies, everything was better in the ’70s. The spirit of disco, the flowing post-psychedelic art—there are so many inspiring aesthetic references to draw upon. 1960s Space Age also was very influential to this project–that spirit of discovery, imagination and futurism sparked a lot of my ideas.

logo chair fendi miami
image courtesy fendi

Part of your work on this collaboration involved running Fendi’s iconic prints through the Facetune app. What did you love about the results of that digital manipulation?
Using Facetune came really organically which I think is the way a lot of my best work happens. I was just sitting in my studio with Paige, my business partner, with both of us taking Fendi photos and distorting them and sending them back and forth. It was crazy to see how warping the prints resulted in something so identifiable and familiar but also so incredibly different. This was a new kind of repurposing for me, but it makes so much sense with what I do. Using an app that usually is used to seemingly “perfect,” but instead using it freely to create art and express myself–it has so many connections with my work in general.

In what ways would you say you’ve left your artistic stamp on Fendi’s Miami boutique?
Working in interiors made me understand spaces differently, especially how they look on paper. This was a big part of planning the Fendi Miami space, made even more important by the way the pandemic made it impossible to visit the space itself. I was given such freedom to create. This allowed me to really experiment, to say yes to everything and give it a chance to exist. It’s almost childlike creation in a way. Silvia [Venturini Fendi] really empowers those around her to create without judgment which is an amazing feeling.

fendi peekaboo bag
image courtesy fendi

Your take on the iconic Peekaboo bag is so playful and vibrant. Tell us about the design process and inspiration.
The thought of reinterpreting so many icons of the Fendi house was intimidating to me because I’ve always been such a fan. The Fendi Peekaboo is undoubtedly such an iconic bag! I really embraced the spirit of playfulness, fun, and the feeling of childhood for these Peekaboo designs. I started playing with the Fendi logo using photo apps and Facetune. Photo editing can be used for so many things, which embodies the feeling I am looking for in my work. I love shifting things into another space and seeing what fits.

Logomania is one of those trends constantly cycling in and out of fashion. Some people love instantly recognizable logos, some people hate ‘em. What’s your personal take on logos?
I really enjoy working with logos because there’s something so powerful about the way they can stand the test of time, whether the logo has been around 25 years or 100 years. Logo prints are special because they can be worn as a neutral–they can feel natural in any outfit or in any space.

The post Here’s How New York Artist Sarah Coleman Reimagined Fendi’s Iconic Logo appeared first on FASHION Magazine.



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Saturday, December 5, 2020

Drake Released a Line of Candles + Other Culture News You Missed This Week

Drake released a line of candles, Stephan James and Shamier Anderson launched The Black Academy to celebrate Black Canadian talent, and other news you might have missed this week.

Drake released a line of candles
Over the summer, Drake revealed that he was working on a line of candles that he promised would be “available soon.” Fast forward several months, and the candles are finally here. Released under the Toronto rapper’s Better World Fragrance House and available to purchase on e-com site Revolve, the line includes five different fragrances. One in particular, Carby Musk, supposedly smells like Drake himself, with notes of musk, amber, cashmere, suede and velvet. The other four scents are Sweeter Tings, Williamsburg Sleepover, Good Thoughts and Muskoka, and all are currently sold out.

Actors Stephan James and Shamier Anderson launched The Black Academy
Scarborough-born actors (and brothers) Stephan James and Shamier Anderson just founded The Black Academy, an organization that promises to “elevate and inspire both Anglophone and Francophone Black talent across the country,” in the arts, culture, entertainment and sports industries. The Black Academy is a division of the brothers’ community-based nonprofit B.L.A.C.K. Canada (Building A Legacy in Acting, Cinema + Knowledge), which they established in 2016. “Stephan and I strongly believe we have identified a glaring gap in the industry as far as the acknowledgement and celebration of Black Canadians doing exceptional things all over the world,” said Anderson in a release. “This level of celebration is bound to breed a whole new world of Black Canadian talent doing exceptional things.”

Annie Murphy unveiled an alter-ego
This past week, Annie Murphy released a video of herself as alter-ego Anny Morphee… doing an impression of Zooey Deschanel… singing ‘Baby It’s Cold Outside.’ Yes, there were a lot of layers to that performance. “My friend Anny Morphee, who is not me, wanted me to post her holiday cover of “one of the least controversial and most beloved traditional Christmas Yuletide Carols of all time. Plus, who doesn’t love a Zooey Deschanel classic?”” she wrote. In the post, the Schitt’s Creek actress then directed her followers to another Instagram account, @annyshitbedroom, where there are currently nine videos of her loosely impersonating other musicians, such as Drake, Justin Bieber and David Bowie.

Registration is open for War Child’s first-ever virtual gala
War Child, a Canadian organization that works to protect children and their communities from the brutal impact of war, is hosting its first-ever virtual fundraising gala. Registration for the free event, which will take place on December 7 at 8pm EST, is now open. Musicians like Sting, Sarah McLachlan and Chantal Kreviazuk will perform live, and the virtual event will also feature special appearances by War Child Ambassadors Amanda Seyfried and Thomas Sadoski, plus David Harbour, Patrick J Adams, Sarah Rafferty, Ashley Park and more. Funds will be raised from the event by an online auction and donations, with all proceeds going directly to War Child.

The post Drake Released a Line of Candles + Other Culture News You Missed This Week appeared first on FASHION Magazine.



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Naked Beauty Bar’s In-House Line Has Gone Gender Neutral + More Beauty News to Know

The post Naked Beauty Bar’s In-House Line Has Gone Gender Neutral + More Beauty News to Know appeared first on FASHION Magazine.



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Brunette The Label Teams Up With Chatters + More Fashion News To Know

The post Brunette The Label Teams Up With Chatters + More Fashion News To Know appeared first on FASHION Magazine.



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Influencer Valeria Lipovetsky Adds Garments to Her Leia Line with Loungewear

Having seen success with the creation of her Leia line, which until today comprised of accessories like eyewear and jewellery, Toronto-based influencer Valeria Lipovetsky just launched her first collection of garments – and they speak to the current comfy moment we’re in.

“I have beautiful clothes in my closet that I love, but I was just constantly reaching for loungewear whether it was for working [from home] or going out with the kids or going to the grocery store,” Lipovetsky says of why she was inspired to conceive of The Everyday Sweatset (which includes a sweatshirt, sweatpants and a vintage-inspired t-shirt). “Loungewear has been such a big part of what I’m wearing.”

The pieces can be found in four colourways, with the forest green fabrication being her favourite thanks to its versatility and seasonal appeal. “It’s the kind of green that you can elevate easily,” she notes, adding it works with a lot of different hues for colour-blocking – a styling trick she suggests one can use to dress sweats up when desired. “It’s amazing how if you add another colour to your look, it gives a more effortless chic feeling.” For a subtler look, she says wearing a contrast-hued t-shirt underneath gives a nice pop and “adds depth”; she also wears her full Sweatset under a vintage camel coat as an unexpected combination, and offers other how-to-wear tips on her Instagram.

Lipovetsky says that this year’s increased emphasis on supporting local business motivated her to give great consideration towards manufacturing and supply chain; the limited-quantity pieces from The Sweatset are made from cotton that’s hand-spun in a mill in Toronto, and then the material is put together in a local studio. And there’s one special step in the process that Lipovetsky is particularly pleased with.

Each piece is garment dyed, meaning that instead of the fabric being given its colour before being assembled into the final piece, it’s dyed once it’s finished. “I really wanted to create a look that has more of a personality to it,” Lipovetsky notes. “This dyeing process gives that aspect to the clothing. It’s more of a complex approach, [and it] gave us the opportunity to create unique products. Every piece differentiates itself from another and gives it a ‘made-for-me’ feeling.”

Yet it’s not just physical product that’s been on Lipovetsky’s mind when it comes to thoughtful creation. Her content – a mix of lifestyle tips, reading recos and conversations with everyone from food and fitness experts to psychologists and career coaches – has also been influenced (pardon the pun).

“The amount of information and images we consume on a daily basis was so overwhelming,” she says. She notes that the slow down we’ve all been forced to endure “not only [towards] shopping habits” but with regards to what online communities “were exposed to and experiencing” gave her the opportunity to step back and take stock of her own personal output.

“Are these people bettering my life? Am I learning something? Is there something beyond seeing a bag or a beautiful hotel?” These are all points Lipovetsky pondered in the context of her content creation and how to better serve her fans, saying that while there’s value to looking at lovely design and travel moments, “it’s been an interesting time for me to see how I can support and what I can offer to my audience beyond the visual satisfaction.”

Lipovestky acknowledges that this year was also one that taught her the value of giving herself a break on days when she needed it, and says she’s thankful for her “amazing team” who assisted in helping her create banks of content for use when she needed a moment away from the spotlight. And she says that “the amount of lessons the past eight months have taught me is on another level. There were so many events that happened that really humbled me. [This year] taught me to step back sometimes; I don’t necessarily need to voice my opinion, especially if it’s not an informed or educated enough opinion…. Sometimes, as content creators, because you have all these people that look for your advice or what you’re going to say–it puts you on a bit of a pedestal. It was good to just remind everyone that I’m human, and I don’t have all the answers.”

Naturally this point leads to wondering what Lipovetsky’s 2021 resolutions might be. “I have a funny relationship with resolutions and with goals in general,” she replies. “Something I learned approaching my thirties is that I noticed that I had a cycle where I made these big resolutions – you put them down, you start on January 1st and you’re so motivated, and then it trickles down and you drop the resolution by February.”

She highlights that this methodology “doesn’t serve us well because we don’t put down a process or a system in order to bring that resolution to life. A lot of us touch on the big picture, but as you know, in life, it’s not about the big picture – it’s about every single step you take to get to that big picture.”

With this in mind, Lipovetsky – who says she was encouraged by the concepts posited in the book, Atomic Habits by James Clear – says she’s “moving away from resolutions that ultimately made me feel bad and useless because I wasn’t achieving all of them. Instead, I’m focusing on a process and system for things I wanted to accomplish. I’m excited to continue building the brand and establishing the essence of Leia. And I’m excited to continue creating content. I have to say, my biggest learning about myself [this year] was through my community, because no one else shows you your weaknesses or your strengths more than the people who are standing in front of you, listening to what you have to say.”

The post Influencer Valeria Lipovetsky Adds Garments to Her Leia Line with Loungewear appeared first on FASHION Magazine.



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